Writer – Researcher – Lecturer
Currently: Lecturer in English (1830-present), Mansfield College, University of Oxford.
My research and teaching interests are in queer and trans studies, gender and sexuality, modern and contemporary literature and postcolonial studies.
My first book, Queering Twentieth-Century Irish Women’s Writing: Uneasy Moderns, is forthcoming from Edinburgh University Press. Bringing together a group of untimely, queerly-oriented writers — Dorothy Macardle, Kate O’Brien, Elizabeth Bowen and Molly Keane — this book disrupts common-sense narratives of modernisation, gender, sexuality and race in postcolonial Ireland. Lingering with unease and discomfort in the work of mid-twentieth-century women writers and the spaces they occupied, it pays close attention to inadmissible feelings of loss, anxiety, hauntedness and melancholia. By embracing discomfort, it moves towards a less idealising form of queer studies that is more responsive to the complexity of queer history, and offers a new story of Irish culture in the twentieth century.
I am interested in queer and radical histories, as well as oral history and site-specific methodologies. I have worked on collaborative and community research projects investigating queer history and colonial legacies in Cambridge, gendered experiences in higher education and radical history in London.
I received my PhD in Multi-disciplinary Gender Studies from the University of Cambridge Centre for Gender Studies in 2023 and I have taught English at the University of Cambridge and Maynooth University.
I am always interested in hearing about potential collaborations and I welcome invitations to speak, write, chair or facilitate workshops. Feel free to get in touch at naoise.murphy@mansfield.ox.ac.uk or find me online @naoisemurphy.
Writing
‘Listening to Queer Ghosts.’ In Jeremy Chow and Declan Kavanagh (eds.), The Edinburgh Companion to Queer Reading, Edinburgh University Press, 2024.
‘Book review: Modernism in Irish Women’s Contemporary Writing: The Stubborn Mode.’ Irish University Review 54(2), 2024, 399-402.
‘Book review: Misfit Modernism.’ The Modernist Review 52, 10 June 2024.
‘Camp Comedy and “Submerged Trouble”: Molly Keane’s Queer Collaborations.’ English Studies 104(6), 2023, 1097-1117.
‘The Queer Transnational in Kate O’Brien and Elizabeth Bowen.’ Review of Irish Studies in Europe (RISE) 5(1), Special Issue: Irish Sexual Liberation and its Literature - Part 1. ‘Speaking out/ when it’s dangerous’, 2022, 8-27.
‘Kate O’Brien: Queer Hauntings in the Feminist Archive.’ Journal of Feminist Scholarship 19 (Fall), 2021, 80-91.
‘Queering history with Sarah Waters: Tipping the Velvet, lesbian erotic reading and the queer historical novel.’ Journal of International Women’s Studies 22(2), 2021, 7-18.
‘The Right to Dream: Gender, Modernity, and the Problem of Class in Kate O’Brien’s Bourgeois Bildungsromane.’ Irish University Review 49(2), 2019, 276–289.
Projects
I have experience in public history, queer history, oral history and creative and site-specific methodologies. Here are some of the projects I’ve been involved in:
2022-2023: Research and Development Associate, Uncomfortable Cambridge.
Researched and designed discussion-led walking tours, exploring colonial legacies, queer history, and the politics of space and memory in the city.
2023: Research assistant, Spurling Report on Women in Higher Education - 30 Years On.
Created an oral history archive for a research project on gendered experiences in higher education, based at King’s College Cambridge.
2020-2023: Co-convenor, CamQueerHistory.
Organised public events about queer and LGBTQ+ histories.
2021-2022: Researcher, Newnham Queer Archive.
Collaborated with a team to found the Archive and conducted oral history interviews with LGBTQ+ members of Newnham College.
2020-2021: Volunteer researcher and oral historian, ‘5 Cally Road: 60 years of books and activism’, with On The Record.
Conducted interviews and research into the history of LGBTQ+ activism at Peace House, 5 Caledonian Road, London. Developed an audio composition, ‘Shelter’, for a sound installation at Housmans Bookshop.